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Karl Briullov
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.

 

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Karl Briullov Portrait of U. M. Smirnova oil painting

Painting ID::  88556

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Karl Briullov
Portrait of U. M. Smirnova
1837-1840. Oil on canvas. cjr
   
   
     

 

 

Karl Briullov Portrait of the Actor A.N.Ramazanov oil painting

Painting ID::  88563

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Karl Briullov
Portrait of the Actor A.N.Ramazanov
1821. Oil on canvas. cjr
   
   
     

 

 

Karl Briullov Endymion and Satyr oil painting

Painting ID::  89916

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Karl Briullov
Endymion and Satyr
1849(1849) Medium oil on canvas Dimensions ? x ? cm cyf
   
   
     

 

 

Karl Briullov Bathsheba oil painting

Painting ID::  91402

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Karl Briullov
Bathsheba
1832. Oil on canvas. Not finished. 173 x 125.5 cm. cjr
   
   
     

 

 

Karl Briullov Self portrait oil painting

Painting ID::  93988

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Karl Briullov
Self portrait
1848(1848) Medium oil on canvas Dimensions Height: 64.1 cm (25.2 in). Width: 54 cm (21.3 in). cjr
   
   
     

 

 

Karl Briullov Girl, gathering grapes in the vicinity of Naples oil painting

Painting ID::  94876

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Karl Briullov
Girl, gathering grapes in the vicinity of Naples
Date 1827 ttd
   
   
     

 

 

Karl Briullov Portrait of Maria Pavlovna Volkonskaia oil painting

Painting ID::  96470

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Karl Briullov
Portrait of Maria Pavlovna Volkonskaia
XXXXX 1842 X. Medium oil cyf
   
   
     

 

 

Karl Briullov Italian morning oil painting

Painting ID::  97867

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Karl Briullov
Italian morning
1823. Oil on canvas. Kunsthalle Kiel, Germany Date 1823(1823) cyf
   
   
     

 

 

Karl Briullov Girl gathering grapes in the vicinity of Naples oil painting

Painting ID::  98126

X 
 

Karl Briullov
Girl gathering grapes in the vicinity of Naples
1827. Oil on canvas. 62 x 52.5 cm. The State Russian Museum, St. Petersburg, Russia cyf
   
   
     

 

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Karl Briullov
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.